WTF? Pause. Zoom-in. Analyze depth. Ponder source. Link-to-associ8D-entries in/on this linear hard-drive of history. Cross-reference. Cross-reference. Spit.
Clipping? What clipping?
More importantly, depending on how well you know and/or have been following along with my multiple-year-long writing project/meme-creator, many of the elements that are included here at random at shown equally for the same 1 second of time can be read into much more deeply than others.
And of course, then, for the true understanding, timing, and context to be accurate/correct, they would have to be sorted and organized correctly and not just thrown blindly onto the music track I made, but that's this 'random free-association content' out-of-and-in-sync at the same time is all about.
The music and the way I've mixed it is one thing, the included pictures and the way they randomly line-up to it is something completely different in this token example sample instance, but that too is just a metaphor/allegory for the way things can be totally seen or unseen depending on....
But, even shown something so 'abstract' like this, the intelligent sentient hooman being within you should be able to at least spot the parts that are 'synced far better' versus the ones that are 'synced far worse' in the completely random way in which this was thrown together.
The clipping is a whole different issue. Just like, if you haven't been following along closely and don't know the context/link/depth/meaning behind many of the otherwise just random pictures of things...the you don't even know nothing.
Accordingly, in a world so full of human animals given the ability to speak but apparently lacking in many other areas that would otherwise control and filter that ability, this should be an interesting Rorsach test. Or not. Whatever.
I you wish to judge/analyze me/my whatever by this, you may, but only in analyzing the music bed composition aspect of it keeping in mind I have no educated knowledge of music or training whatsoever and an elementary grasp of the tools I'm working with to edit it at best. The final version would be a far more complex multi-track-overlai version more like a symphony, but in this context the bells and background noise and cuts and splices are all there because they are taken from the same core body of a few tracks of music that I on-the-spot decided to make this practice version from. You may also judge me by the random selection of pictures I happened to have downloadeded in that/this folder titled 'Downloaded for Use', even though the places, times, reasons, and context for the existence of each one is completely different, so without knowing that you can't really even 'read' this fully-correctly (except within your own mind?) in the myriad of ways the random combination of elements make it oh-so-interestingly cross-readable.
When elements of the music and pictures are occasionally both so deeply embedded with random levels of parallel context/depth/association/meaning and polarized dynamics, it can be quite an interesting ride within your own mind. Which is something that can be explained and discussed later.
In the meantime...
You may also accurately judge me on the style of the included music because that element obviously wouldn't be included and specifically remixed as it was if it wasn't already existing in my library, but beyond that, for now just try to watch this and ignore the 'clipping', and I'll fix and get to the specific parts and mechanisms designed to address that in time.
But also consider that I haven't been actively listening to or keeping a singular library/collection of music for the better part of the last decade, so what I have found, know, and like thus far may only be a small fraction of what I truly know and like once all most-well-matched examples and samples are eventually discovered when not so 'offline' social/pop culture-wise.
#blahblahblah
#andyesthisisstillnothing
#KarynRRRL0v3/dbzawnderneez
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